Promoting the Bagpipe Revival since 1986
The Bagpipe Society
Xim
- A Hungarian Fascination
- A new interpretation of the fully keyed sordellinas of Settala’s collection
- A Serendipitous Stay
- An Amazing Discovery
- Bagpipes for the Norwegian Folk Tradition
- Bagpipes in Musical Instruments and their Homes
- Besom in Bloom - Gracing and variation
- Blowout 2010 Preview
- Blowout 2017
- Blowout 2019 31st May to 2nd June
- Giovanni Lorenzo Baldano's sordellina manuscript of 1600: a new approach to reconstruction
- Grace Notes Spring 2018
- Grace Notes Summer 2016
- Grants
- In Praise of Old Pipes
- In the Bag - Jon Swayne
- Invasion of the Zampognari
- Is This a Drone I See Before Me? On bagpipe iconography
- Latvian Bagpipes: Dūdas (Somas Stabules)
- Letters
- Lincolnshire, Lancashire and Scotch Bagpipes: Regional and Pastoral bagpipes in 17th Century England
- Loan pipes
- Making reeds for a boha in G
- Masquerading as Pipers, Irish and Scottish, 1770–1825
- My Swedish Bagpipes
- The 'Gaita Transmontana' a new-old bagpipe
- The (17th century) Iain Dall Chanter links the past to the future
- The Edinburgh Müsa
- The Edinburgh Müsa - Part II
- The making of Wessmanlandsbitar
- The Maltese Żaqq
- The Müsa: Original Instruments and a Hypothesis on Scales and Tunings
- The Musette à ravalment, restoration and reconstruction
- The Rosca
- The Story Behind the Carnet de Notes
- Traditional Croatian Bagpipes
- Tuning and Temperament
- Data Processing Notice (GDPR)
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