A Hungarian Fascination


In the 1970s and 1980s the duo called Rebec were playing the English folk club and festival circuit. Bob Cross wrote the songs in the renaissance style reminiscent of the love songs of Elizabethan songwriter and lutenist, John Dowland. I was the other half of the duo and my role was to provide recorders, crumhorns, bowed psaltery, glockenspiel and guitar. We also used bagpipes; Bob played Flemish pipes and Northumbrian smallpipes and I played the gaita Gallicia.

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