Since the last edition of Chanter, I have visited Glasgow and the National Piping Centre twice. This feels a bit like the arrival of the long awaited Number 64 bus — having not been to Scotland for over 30 years, I then have two forays north of the border within 3 months of each other. The two occasions were very different though. At the end of February I attended the bi-annual conference of the International Bagpipe Organisation (IBO) for the first time.Read more »
Ian Clabburn’s article, printed in Chanter Summer 2014, about the cabrette tuning and in particular his struggle with the “neutral third” intrigues me, and I keep going back to his article and have re-read it several times. In summary, Ian felt it was his fault that he was unable to play the instrument ‘in tune’, only later finding that the cabrette is tuned to a scale different from that which we consider ‘normal’.Read more »
Firstly, may I thank Jon Swayne for taking the trouble to reply to my scribblings on this topic. I am grateful to read something written with authority rather than from a point of ignorance (like mine!). Really, mine was just a series of thoughts and questions put down in the hope of getting some insight which I think Jon has provided. I would also like to apologise for the sloppy use of the term “Just Intonation” when I should have used a term which did not have a technical meaning.Read more »
3rd to 5th June Savage Prunes (concerts, Saturday, Sunday) In 2015, the Savage Prunes won the ‘Petites Formations’ competition at ‘Le Son Continu’ music festival, since when they have expanded into a trio. The group is particularly influenced by European folk, as well as baroque, Celtic, jazz, techno, and classical music. Callum Armstrong is an innovative piper whose questing approach to the hitherto unexplored acoustic possibilities of the smallpipe is taking the instrument into areas most of us have never encountered.Read more »
It’s good to see the subject of tuning and scales capturing the interest of members, because it’s a subject hard to understand and therefore not well understood. So I was fascinated to turn to Ray Brown’s thoughts on the tuning of the Cabrette in the Winter 2015 edition of Chanter, the third response to Ian Clabburn’s original article in Chanter of Summer 2014. Ray covered a wide range of topics and raised a large number of questions.Read more »
This is a unique instrument made to a special order. The chanter is to Jon’s usual design, but with the addition of a functioning parallel drone. Comes complete with bag by Sean Jones and cover by Diana Winkfield. Perfect condition and sounds wonderful. £850 including postage (UK), with appropriate adjustments for non UK sale. Contact firstname.lastname@example.orgRead more »
Cabrette en Do The Cabrette is a bellows blown instrument, closely associated with the Auvergne region of France and late 19th century Paris. In common with many french bagpipes, there is a drone which is connected, via a common stock, in parallel to the chanter. This drone plays the “six finger” note, but in practice is seldom used. There is no bass drone. The cabrette is unique in that the chanter/drone system is easily exchanged to allow the piper to play in different keys without needing another bag.Read more »
Estonian Torupill played by Sandra Sillamaa Matt Seattle, playing the border pipes Gaita, Valencia, Spain zampogna, Italy zampogna Marco Cignitti Cabrette players - Auvergne, France Yan Cozian et Martin Lassouque Lefteris Grigoriou Denise Quail “I was playing at the RSPCA Pirate Day in Derby!Read more »
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