WHEN the very long-standing early music group of which I am privileged to be a longish standing member plays a concert at an arts centre, theatre, church or school hall we do not require amplification nor fancy lighting effects, but we do request tables. The more tables the better. A table each for six performers is the ideal. On these we lay out the preposterously large numbers of wind and stringed instruments that we employ during our programmes.Read more »
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