The Sourdeline of Manfredo Settala Part 2

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In the first part of this article (Chanter, Summer 2015) I wrote about the discovery of a painting, dated 1640, attributed to Carlo Francesco Nuvolone. The painting depicts Manfredo Settala (1600-1680) with his “sourdeline”, a complex Italian bagpipe of the 17th century (fig. 1). This important painting reveals several facts about the personality of the ingenious scholar of Milan. In this second part we will look at the technical knowledge that we can gain about the sourdeline, and its place in the European family of wind instruments from the 17th and 18th centuries.

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