Cornemuses

Polyphonie pour Cornemuses by Airbag Dec 2013 in Chanter 2013 Winter

This edition is from our archives, so it is presented as scanned pages rather than text. You may need to scroll to find the article you’re looking for.

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This edition is from our archives, so it is presented as scanned pages rather than text. You may need to scroll to find the article you’re looking for.

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Jouer de la Cornemuse by Bernard Boulanger Mar 2000 in Newsletter 2000 Spring

This edition is from our archives, so it is presented as scanned pages rather than text. You may need to scroll to find the article you’re looking for.

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This edition is from our archives, so it is presented as scanned pages rather than text. You may need to scroll to find the article you’re looking for.

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Cornemuses en Limousin Mar 1999 in Newsletter 1999 Spring

This edition is from our archives, so it is presented as scanned pages rather than text. You may need to scroll to find the article you’re looking for.

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Festival de Cornemuses Bergues Dec 1998 in Newsletter 1998 Winter

This edition is from our archives, so it is presented as scanned pages rather than text. You may need to scroll to find the article you’re looking for.

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Review: Les Cornemuses des George Sand Nov 1996 in Newsletter 1996 November

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Review: L'Art de la Cornemuse by Eric Montbel Mar 1986 in Chanter 1986 Spring

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What’s in a name Jul 2016 in Chanter 2016 Summer

You may remember in the Winter 2014 Chanter, I reported that there was an online petition to protest about the proposed change of name to the Boha. At the IBO Conference Yan Crozian and Jean Michel Espinasse explained the background to the issue and below is an abbreviation of their talk. — Editor. Occitan The word, boha, is an Occitan word, which comes from the verb “to blow”. The boha historically was played in a part of the south west of France: les landes de Gascogne.

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Cabrette Tuning Yet Again... Mar 2016 in Chanter 2016 Spring

It’s good to see the subject of tuning and scales capturing the interest of members, because it’s a subject hard to understand and therefore not well understood. So I was fascinated to turn to Ray Brown’s thoughts on the tuning of the Cabrette in the Winter 2015 edition of Chanter, the third response to Ian Clabburn’s original article in Chanter of Summer 2014. Ray covered a wide range of topics and raised a large number of questions.

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