Editor’s Note: There was something of an editorial oversight in the last edition. Somehow, Jon Swayne’s response to Andy Letcher’s question on tapering bores (p.11) acquired an extra paragraph at the end of his article. At this point I must confess I have no idea where the paragraph came from and who wrote it! So, I will reprint it as a “Call” and hope that there are some “Responses” – and to both Jon and the questioner – apologies!Read more »
Gorhemmynadow dhiworth Kernow! We have at last made our CD of pipes and drums (gaita and bombarde - not the reconstructed Cornish pipes, gav dhymm!) and thought that our Celtic cousins might be interested… Tracks Cor Elath Wondrous Works/ Daniel Cooper/ Silver Buttons/ Woolly Monkey An Culyek Hos Joel’s Tune/ An Ahwesyth An Morladron/ Nancledra/ Tom Bawcock’s Fly Cellar/ Hevva Turning of the Tide/ Pencarrow/ We all Stepped Out/ CarmelaRead more »
It’s good to see the subject of tuning and scales capturing the interest of members, because it’s a subject hard to understand and therefore not well understood. So I was fascinated to turn to Ray Brown’s thoughts on the tuning of the Cabrette in the Winter 2015 edition of Chanter, the third response to Ian Clabburn’s original article in Chanter of Summer 2014. Ray covered a wide range of topics and raised a large number of questions.Read more »
Dave was a founder member of the Bagpipe Society who passed away in December. His contribution to the English Bagpipe Revival, especially in the early days cannot be overestimated, as can be seen in these reminiscences: My first encounter with Dave VanDoorn was in characteristically surreal surroundings. It was the inaugural meeting of (what was then known as) the “English Bagpipe Society” in December 1985. Although I can recall few details of the meeting itself, I have a vivid memory of us going through the galleries of the Pitt-Rivers museum afterwards and gazing at the shrunken heads.Read more »
Reflections on changes in the piping world since the foundation of the Society While browsing the archives of the Society for material for this article, I came across a review by Paul James of the 1986 edition of the Rencontres de Luthiers et Maitres-Sonneurs at St Chartier, a festival almost universally referred to, even now, simply as ‘St Chartier’ (as any fule kno). It is now of course re-located by five kilometres or so to Chateau d’Ars and under the direction of the organisation, Le Son Continu.Read more »
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