Calls and Responses was held back in the last edition due to it being the Iberian Special. For those of you who can’t remember Andy Letcher’s Call from March this year I have reprinted it in front of James Merryweather’s response. Further Calls for the next edition should be submitted to me at firstname.lastname@example.org by 1st November at the latest. Call: I found the following quote in the Wikipedia entry on ‘Tharapita’, the Estonian thunder god.Read more »
Columbus Folk Music Society annually puts on a weekend of free concerts, workshops and assorted exhibits, the Central Ohio Folk Festival. It’s a friendly local event, tucked away in a country park surrounded by forest a few miles out of town. Friends took me along to this May festival, and once parked, we strolled around, getting our bearings. Before we really knew where we were or what was going on, my bagpipe detectors began twitching and I dragged everybody in the direction of the performance stage.Read more »
As a, perhaps notorious, defender of the proper interpretation of historical information, I felt compelled to comment on Chanter’s brief article about a bagpiping pig on an Irish postage stamp.1 I have no problem with $ean $tewart’s presentation, but I do find the text accompanying the stamp2 annoyingly naïve and potentially misleading to any reader who is unfamiliar with the real history of bagpipes. It would be equally wrong to call the bagpipe the pig is playing a Duda, Chimpoi, Tulum or GHBP.Read more »
IN TUNE OR OUT OF TUNE? Tuning is a matter that is utterly fundamental to musical quality, yet it seems many musicians pay it little heed. When it comes to temperament, I find most musicians to whom I mention it haven’t a clue what I’m talking about, indeed I suspect quite a few have only a rudimentary grasp of tuning, which they surely need if they’re going to put it into practice.Read more »
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